She first gained attention for appearing in the television series Everything Sucks! (2018), The Handmaid's Tale (2018), and Sharp Objects (2018). Three stars out of four.įollow AP Film Writer Lindsey Bahr on Twitter: Bernice Sweeney (born September 12, 1997) is an American actress. “Reality,” a Max release currently streaming, is rated TV-MA. It’s a true triumph of storytelling and performance and a reminder that films don’t need to be flashy or big to be great. She draws you in and you feel her stress and panic escalate. But the show belongs to Sweeney, whose range continues to astonish - from “Euphoria” to “The White Lotus” and now this. Davis meanwhile keeps Reality on edge with small displays of power and authority, like now allowing her to touch her phone. He looks like an innocuous IT guy and seems friendly enough, but his questions, even the smallest ones, feel double edged. Hamilton walks a very delicate line in his performance. Any woman or member of a marginalized group can surely relate. Instead, she is deferential and even helpful to these uninvited strangers, as though being nice might help things. Reality, wearing jean shorts and sneakers, does not seem aware that she has the right to not answer their questions and has the right to an attorney - and the agents certainly aren’t offering this information either. Meanwhile, one of the agents is asking about her CrossFit routine and her life as a single person in Augusta. She’s worried about the perishables, her cat escaping through the open door and her dog scaring people. The agents tell her they have a search warrant for her home and her car and promptly tape off her modest yard with “crime scene” ribbon, take her phone and force her to stay outside as they search. Her life has been put on pause and there’s nothing she can do about it. She has a cat in the house and a dog, a rescue who doesn’t like men. Reality (Sweeney) has come home with a car full of groceries. Though it takes some time for Agent Taylor (Marchánt Davis) and Agent Garrick (Josh Hamilton) to get to the real questions, the real reason why they’re there, the small stresses and indignities start to build. There is a dread to the whole endeavor from the first shot, even if you don’t remember how this story played out in the news. The film starts as she pulls up into her driveway, an agent knocks on her car window and starts the recording on his handheld device. The next month, the FBI was at her door to interrogate her. One day in May 2017, she printed a classified report, tucked it into her pantyhose, walked out of the office and mailed it to an online news outlet. It’s based on the actual FBI interrogation of the unbelievably named Reality Winner, a former Air Force translator who worked as a contractor at a National Security Agency office in Augusta, Georgia. And it’s one of the most tense and exciting films of the year. The dialogue has all the ums and ahs, botched sentences and awkward small talk one might expect from actual human beings, not slickly intelligent Aaron Sorkin creations. Its script is as minimalistic - lifted directly from the transcript of one long conversation between two FBI agents and a young woman they suspect has leaked classified documents. There are no chairs or rugs, just a stark and ugly room in a nondescript rental property in a downtrodden neighborhood. “Reality,” a new movie starring Sydney Sweeney, is largely set in one empty room.
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